Spotlight On: Adam Adkison
May 15, 2024
![Unnamed 16 1](https://ccae.imgix.net/images/unnamed-16-1.jpg?auto=format%2Ccompress&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&h=214&w=300&s=e6cbe65f78662076bd3ebb83b0ec6d4a 171w, https://ccae.imgix.net/images/unnamed-16-1.jpg?auto=format%2Ccompress&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&h=429&w=600&s=05fc4f6248d41669c6d56b8752339bf3 343w, https://ccae.imgix.net/images/unnamed-16-1.jpg?auto=format%2Ccompress&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&h=643&w=900&s=3290104892d0a8814e3d7b840ae37c7d 514w, https://ccae.imgix.net/images/unnamed-16-1.jpg?auto=format%2Ccompress&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&h=857&w=1200&s=69315812db2e6cfafb567301bcfd568b 686w, https://ccae.imgix.net/images/unnamed-16-1.jpg?auto=format%2Ccompress&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&h=1071&w=1500&s=925b6e0242d701133c6403fa292a4d1c 857w, https://ccae.imgix.net/images/unnamed-16-1.jpg?auto=format%2Ccompress&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&h=1286&w=1800&s=0714cf271bd0cb61f7246e653ff3955a 1029w, https://ccae.imgix.net/images/unnamed-16-1.jpg?auto=format%2Ccompress&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&h=1500&w=2100&s=ba5bc303dff78931fb06974a3ec0c951 1200w, https://ccae.imgix.net/images/unnamed-16-1.jpg?auto=format%2Ccompress&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&h=1714&w=2400&s=8c415bbd21fb49f7c18c8645e70a76cf 1371w, https://ccae.imgix.net/images/unnamed-16-1.jpg?auto=format%2Ccompress&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&h=1929&w=2700&s=c0a2dd0cb5821f17c96137a2b1407132 1543w)
You teach watercolor but also work in oils. What do you enjoy about working with these media specifically?
Each one has its own particular set of challenges and rewards. With watercolor, everything has to be ready to go before you begin. I liken it to making a stir-fry. You need to have everything chopped and ready before you start because when you start cooking everything happens quickly and a little chaotically, that's where the fun is. With oils you have more time to work and rework, go back and change things which is rewarding and a challenge in its own right.
Your paintings cover a lot of different subjects, how would you sum up your artistic practice?
There are so many interesting things in the world. I don't know how anyone could just stay with one subject. I find everything so fascinating from people to buildings to animals to landscapes to still life, everything is amazing. The great thing about art is you're able to study for hours whatever it is you're painting.
What are some of your favorite still-life objects you like to use when teaching watercolor?
There are a lot of really good subjects for still life, I think metals like brass and bronze are really good for reflecting colors and light. I like glass a lot, I like the refractions that you get from glass and water. Butterflies, those are fun. Flowers of course are fun to paint.
You teach the very popular Botanical Watercolors: Painting the Flower class at CCAE. What are your favorite flowers/plants to use?
If I had to pick one flower to paint it would definitely be roses. They just have so much character. Especially the ones that have a large head with lots of variety inside of it. My second favorite would probably be sunflowers.
What do you enjoy about teaching at CCAE?
By far, the best thing about teaching at the CCAE is the students. The people in Cambridge and the surrounding area are such interesting humans. It's great to work with and get to know my students, definitely the best part.